https://www.zerostation.com/events daily 0.75 2026-03-30 https://www.zerostation.com/events/artists-in-dialogue monthly 0.5 2026-03-30 https://www.zerostation.com/events/estw96dwl5a345qmyo3axh9ppfrysi monthly 0.5 2026-03-22 https://www.zerostation.com/events/american-grotesque-part-1-kassandra-opens monthly 0.5 2025-10-08 https://www.zerostation.com/events/combined-works-of-peter-and-paul monthly 0.5 2025-04-18 https://www.zerostation.com/events/lace-an-exhibition-of-photographs-by-peter-shellenberger monthly 0.5 2025-03-07 https://www.zerostation.com/events/glass-chance-a-pop-up-sublet-event monthly 0.5 2024-11-29 https://www.zerostation.com/events/1bfgs2e37799xhy4i5kqd7bjdf4odd monthly 0.5 2024-09-19 https://www.zerostation.com/events/opening-reception-for-floating-worlds monthly 0.5 2024-09-19 https://www.zerostation.com/events/a-conversation-with-the-artists-on-sketching-as-a-way-of-moving-work-forward monthly 0.5 2024-08-14 https://www.zerostation.com/events/boro-bayside-during-the-east-bayside-block-party monthly 0.5 2024-06-28 https://www.zerostation.com/events/special-event-jazz-at-zero-station monthly 0.5 2024-06-28 https://www.zerostation.com/events/sketchbooks-and-small-works-opening-reception monthly 0.5 2024-06-28 https://www.zerostation.com/events/dendritic-dreams monthly 0.5 2024-09-19 https://www.zerostation.com/events/40cby9v8a9eewhcb9vc0j2frs2iplg monthly 0.5 2024-03-27 https://www.zerostation.com/events/continuum-exhibition-opening/grace-degennaro monthly 0.5 2024-02-12 https://www.zerostation.com/events/closing-reception monthly 0.5 2023-11-29 https://www.zerostation.com/events/hex-hex monthly 0.5 2023-10-10 https://www.zerostation.com/events/artists-in-conversation-lauren-fensterstock-and-stephen-burt monthly 0.5 2023-09-14 https://www.zerostation.com/events/ripeness-twice-over-work-by-stephen-burt monthly 0.5 2023-09-05 https://www.zerostation.com/events/excerpts-artists-reception monthly 0.5 2023-06-15 https://www.zerostation.com/events/a-conversation-between-two-of-the-holdfast-artists monthly 0.5 2023-04-05 https://www.zerostation.com/events/j97obpdk35y71cyhkxqmvjm4qade0h monthly 0.5 2023-04-05 https://www.zerostation.com/events/opening-reception-for-murmuring-murmurings-from-the-folio monthly 0.5 2022-11-10 https://www.zerostation.com/events/surfacing-jarid-del-deo-meg-hahn-mali-mrozinski monthly 0.5 2022-09-20 https://www.zerostation.com/events/5towej5tu2u0ap69mwyiknskr7tylj monthly 0.5 2022-09-08 https://www.zerostation.com/events/four-artists-in-conversation-the-night-sky-science-process monthly 0.5 2022-09-08 https://www.zerostation.com/events/what-is-astrophotography-how-does-it-work-with-ara-jerahian monthly 0.5 2022-08-15 https://www.zerostation.com/events/poetry-party monthly 0.5 2022-06-28 https://www.zerostation.com/events/opening-reception-for-seeds-of-light-exhibiiton monthly 0.5 2022-08-06 https://www.zerostation.com/events/special-evening-of-percussion-with monthly 0.5 2022-07-18 https://www.zerostation.com/events/sanctuary-exhibition-closing monthly 0.5 2022-06-14 https://www.zerostation.com/events/opening-reception-for-sanctuary-art-object-and-place monthly 0.5 2022-05-17 https://www.zerostation.com/events/3ezgvc29owit03tm7eazu3956rfn7j monthly 0.5 2022-04-14 https://www.zerostation.com/events/opening-tell-it-slant-our-military-love-affair-paintings-by-natasha-mayers monthly 0.5 2022-04-05 https://www.zerostation.com/events/first-friday-artwalk-and-closing-of-quotidian-seen monthly 0.5 2022-03-17 https://www.zerostation.com/events/public-opening-reception-for-efflorescence monthly 0.5 2022-03-01 https://www.zerostation.com/events/paper-petals-and-perception-a-conversation monthly 0.5 2022-03-12 https://www.zerostation.com/events/live-conversation-on-instagram-with-nancy-blum monthly 0.5 2022-03-01 https://www.zerostation.com/events/flowers-feminism-and-the-future monthly 0.5 2022-03-12 https://www.zerostation.com/events/reverb-public-opening-reception monthly 0.5 2022-03-01 https://www.zerostation.com/events/event-two-zc97e monthly 0.5 2022-03-01 https://www.zerostation.com/events/quotianseen monthly 0.5 2022-03-12 https://www.zerostation.com/contact daily 0.75 2026-03-22 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1645456182829-1CUYSB7AO8NBTE5LR37V/Exhibitionsjpg.jpg Contact - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/2a16607f-c661-48f3-b2ab-c76f49437470/unnamed-3.jpg Contact - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.zerostation.com/stephen-burt daily 0.75 2024-02-20 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/16cb94c4-194d-41df-b14e-455b38ed40a7/Burt_8_SeaandAir+copy.jpeg Stephen Burt Bright Horizon (SOLD) Watercolor, ink and gouache 2018 unframed 7.75 x 10" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d4c4551a-8499-4c52-b8f9-32db00391fd8/Maelstrom.png Stephen Burt Stephen Burt Maelstrom Conte Crayon on blue prepared paper 68 x 22.5 inches $2500 unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/a699250a-5f93-4108-9b10-bef5ed29b5da/Elemental+Changes%3AWater.jpeg Stephen Burt https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647112351533-GWTPEKEI222MPV79L4MV/Burt_2_OrnamentwithAnoleandFantasticalFlower.jpg Stephen Burt Ornament with Anole, Fantastical Flower Etching, 2019 editioned 2021 unframed 14.75 x 21" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647549640611-612PN0QLD5UDYJX2NCLW/Stephen%2Bburt%2Betchinb.jpg Stephen Burt Fantastical Flower with Pollinators Etching, 2019 editioned 2021 unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8cef4f98-2f08-4bfe-8f17-25b7f305eb77/Deluge+Part+V_3.5%2522+x+6.5%2522_Watercolor%2C+ink%2C+and+gouache.jpg Stephen Burt https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/0b43e6fd-fcb0-4913-9c65-449dbfb033ef/07+Burt+Storm.jpg Stephen Burt https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/f514d734-b8ed-456d-b8cb-46b3e73d282f/Carniverous+Plants%2C+a+Compendium+book.jpeg Stephen Burt Stephen Burt Carniverous Plants Handmade Editioned Book Images by Stephen Burt Letterpress by Wolfe Editions Only two books remaining $850 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/854a670c-9f14-46a4-bf5d-254846282bd6/12_Burt_Plate3_Night+Star_CarnivorousPlants.jpeg Stephen Burt Open book spread from Carniverous Plants Handmade Editioned Book Images by Stephen Burt Letterpress by Wolfe Editions Only two books remaining $850 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/0a5d3554-634f-4521-8b00-1e945a92363e/13_Burt_Plate5_Pitcher+Fern_CarnivorousPlants.jpeg Stephen Burt Open book spread from Carniverous Plants Handmade Editioned Book Images by Stephen Burt Letterpress by Wolfe Editions Only two books remaining $850 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/60611ef9-2bad-4131-aca8-58c5a87c40e3/14_Burt_Plate9_Mousetrap_CarnivorousPlats.jpeg Stephen Burt Open book spread from Carniverous Plants Handmade Editioned Book Images by Stephen Burt Letterpress by Wolfe Editions Only two books remaining $850 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d6ce3a37-d6e5-4baf-829a-f510a921c056/11_Burt_Cover_Carnivorous+Plants_Burt.jpeg Stephen Burt Stephen Burt Carniverous Plants Handmade Editioned Book Images by Stephen Burt Letterpress by Wolfe Editions Only two books remaining $850 https://www.zerostation.com/peter-shellenberger daily 0.75 2025-04-02 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/e1eac31e-e029-46e1-8935-8d61518dd131/time+travel.jpg Peter Shellenberger Peter Shellenberger TIME TRAVEL 2020 analog film/digital print Kodak introduced the Instamatic camera in 1963, along with film cartridges that snapped into place. Film cartridges replaced the cumbersome process of loading film in 35-millimeter cameras. Growing up, I worked in my grandfather’s camera store. I saw first-hand how the Instamatic alleviated the disappointment of many customers whose pictures did not turn out because they failed to load the film properly. 70 million Kodak Instamatic cameras were sold. It was the first camera I had as a kid. The Instamatic was invented a few years before astronauts landed on the moon. Everything seemed possible then. Using this basic camera, complete with a Magicube flash, I’m exploring an imaginative concept inspired by the speed-of-light. The legend suggests that when you look in a mirror, the reflection you see of yourself is younger, by fractions of seconds. A kind of time travel. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/fab7b720-cb4d-4275-8924-601047ee086a/motel.jpg Peter Shellenberger Peter Shellenberger MOTEL 2016 analog film/digital print https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/7aae0798-7788-4275-8d57-02d80bf4471c/poolside.jpg Peter Shellenberger Peter Shellenberger POOLSIDE 2012 analog film/digital print https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/f632f9a1-fbe1-45e0-a1d2-3341c1f30e70/renzo+piano.jpg Peter Shellenberger Peter Shellenberger Renzo Piano 2017 analog film/digital print In 2017, I was given permission to photograph at a construction site for a building designed by Renzo Piano in Des Moines, Iowa. One night a week I showed up and wandered inside the skeleton and guts of the building. Having built two houses, I was in awe of the lines, shapes, and structural elements. Raw sculpture soon to be covered over, never to be seen or considered again while holding up the building, art, us. With this series, I pay tribute to the beauty beneath the surface, celebrate the bones of structures, and honor the labor it took to build it. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8c043c46-32f2-4d75-91d9-50100129fe65/1.jpg Peter Shellenberger Peter Shellenberger QUEEN ANNE’S LACE II 2023 analog film/digital print I use a nineteenth-century, 8x10 camera to investigate the twenty-first century world. The camera, in all its large-scale boxiness, it’s accordion-shaped bellows, and dramatic top-heavy placement on a sturdy tripod, is often the main attraction. It makes sense. Much drama has been made of a photographer slipping beneath the mysterious black cloth attached to the machine, the sound of a click heard in concert with the pop of a flash bulb. But the key to an old camera is its lens. Lenses were handmade, each one as unique as a fingerprint. Photographers learned the nuanced differences of their lenses, switching them in and out according to the effects they sought in the final prints. My favorite is a 1903 uncoated Bausch and Lomb lens made in Rochester, New York. I work at night, set up the camera, open the aperture, and then, in the distance, set off a powerful flash. This is a minor, but notable, shift to standard practices, when the shutter is open and shut in a matter of seconds. While I make my way to the spot where I set off the flash, the shutter is open, and the film is recording whatever ambient night light reaches it through the lens—the stars, perhaps, or a satellite. After the flash, the shutter remains open, still absorbing light, until I return and close it. In photographic terms, these works are described as being made with a long exposure. This work also involves finding thick, flourishing patches of Queen Anne’s Lace in the late summer. Many folks consider the plant a weed—it’s a prolific self-seeder—while others cultivate them in their gardens or use them medicinally. It is thought that the ingestion of seeds from Queen Anne’s Lace functions as contraception. The resulting prints transform this familiar plant into one that is uncanny and mysterious. The images contain visual metaphors rife in the contemporary imagination: politicians invoking our future as one that will be infused with darkness or light, the out-of-control spread of a virus, the loss of women’s reproductive rights with the recent Supreme Court decision, as well as climate change and chaos caused by human’s interference with nature. Simultaneously, these works offer respite, wonder, and hope in the regenerative force of nature and the miracle of human imagination. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/37e59ab3-058a-4867-a27a-e4aa0ed1d681/2.jpg Peter Shellenberger Peter Shellenberger QUEEN ANNE’S LACE II 2023 analog film/digital print I use a nineteenth-century, 8x10 camera to investigate the twenty-first century world. The camera, in all its large-scale boxiness, it’s accordion-shaped bellows, and dramatic top-heavy placement on a sturdy tripod, is often the main attraction. It makes sense. Much drama has been made of a photographer slipping beneath the mysterious black cloth attached to the machine, the sound of a click heard in concert with the pop of a flash bulb. But the key to an old camera is its lens. Lenses were handmade, each one as unique as a fingerprint. Photographers learned the nuanced differences of their lenses, switching them in and out according to the effects they sought in the final prints. My favorite is a 1903 uncoated Bausch and Lomb lens made in Rochester, New York. I work at night, set up the camera, open the aperture, and then, in the distance, set off a powerful flash. This is a minor, but notable, shift to standard practices, when the shutter is open and shut in a matter of seconds. While I make my way to the spot where I set off the flash, the shutter is open, and the film is recording whatever ambient night light reaches it through the lens—the stars, perhaps, or a satellite. After the flash, the shutter remains open, still absorbing light, until I return and close it. In photographic terms, these works are described as being made with a long exposure. This work also involves finding thick, flourishing patches of Queen Anne’s Lace in the late summer. Many folks consider the plant a weed—it’s a prolific self-seeder—while others cultivate them in their gardens or use them medicinally. It is thought that the ingestion of seeds from Queen Anne’s Lace functions as contraception. The resulting prints transform this familiar plant into one that is uncanny and mysterious. The images contain visual metaphors rife in the contemporary imagination: politicians invoking our future as one that will be infused with darkness or light, the out-of-control spread of a virus, the loss of women’s reproductive rights with the recent Supreme Court decision, as well as climate change and chaos caused by human’s interference with nature. Simultaneously, these works offer respite, wonder, and hope in the regenerative force of nature and the miracle of human imagination. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/14237253-c1fe-4dd7-bf4b-e8df187534c8/3.jpg Peter Shellenberger Peter Shellenberger QUEEN ANNE’S LACE II 2023 analog film/digital print I use a nineteenth-century, 8x10 camera to investigate the twenty-first century world. The camera, in all its large-scale boxiness, it’s accordion-shaped bellows, and dramatic top-heavy placement on a sturdy tripod, is often the main attraction. It makes sense. Much drama has been made of a photographer slipping beneath the mysterious black cloth attached to the machine, the sound of a click heard in concert with the pop of a flash bulb. But the key to an old camera is its lens. Lenses were handmade, each one as unique as a fingerprint. Photographers learned the nuanced differences of their lenses, switching them in and out according to the effects they sought in the final prints. My favorite is a 1903 uncoated Bausch and Lomb lens made in Rochester, New York. I work at night, set up the camera, open the aperture, and then, in the distance, set off a powerful flash. This is a minor, but notable, shift to standard practices, when the shutter is open and shut in a matter of seconds. While I make my way to the spot where I set off the flash, the shutter is open, and the film is recording whatever ambient night light reaches it through the lens—the stars, perhaps, or a satellite. After the flash, the shutter remains open, still absorbing light, until I return and close it. In photographic terms, these works are described as being made with a long exposure. This work also involves finding thick, flourishing patches of Queen Anne’s Lace in the late summer. Many folks consider the plant a weed—it’s a prolific self-seeder—while others cultivate them in their gardens or use them medicinally. It is thought that the ingestion of seeds from Queen Anne’s Lace functions as contraception. The resulting prints transform this familiar plant into one that is uncanny and mysterious. The images contain visual metaphors rife in the contemporary imagination: politicians invoking our future as one that will be infused with darkness or light, the out-of-control spread of a virus, the loss of women’s reproductive rights with the recent Supreme Court decision, as well as climate change and chaos caused by human’s interference with nature. Simultaneously, these works offer respite, wonder, and hope in the regenerative force of nature and the miracle of human imagination. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/39749104-fc88-4b77-b8ab-4c173ab46d02/b.jpg Peter Shellenberger Peter Shellenberger QUEEN ANNE’S LACE I 2020 analog film/digital print I use a nineteenth-century, 8x10 camera to investigate the twenty-first century world. The camera, in all its large-scale boxiness, it’s accordion-shaped bellows, and dramatic top-heavy placement on a sturdy tripod, is often the main attraction. It makes sense. Much drama has been made of a photographer slipping beneath the mysterious black cloth attached to the machine, the sound of a click heard in concert with the pop of a flash bulb. But the key to an old camera is its lens. Lenses were handmade, each one as unique as a fingerprint. Photographers learned the nuanced differences of their lenses, switching them in and out according to the effects they sought in the final prints. My favorite is a 1903 uncoated Bausch and Lomb lens made in Rochester, New York. I work at night, set up the camera, open the aperture, and then, in the distance, set off a powerful flash. This is a minor, but notable, shift to standard practices, when the shutter is open and shut in a matter of seconds. While I make my way to the spot where I set off the flash, the shutter is open, and the film is recording whatever ambient night light reaches it through the lens—the stars, perhaps, or a satellite. After the flash, the shutter remains open, still absorbing light, until I return and close it. In photographic terms, these works are described as being made with a long exposure. This work also involves finding thick, flourishing patches of Queen Anne’s Lace in the late summer. Many folks consider the plant a weed—it’s a prolific self-seeder—while others cultivate them in their gardens or use them medicinally. It is thought that the ingestion of seeds from Queen Anne’s Lace functions as contraception. The resulting prints transform this familiar plant into one that is uncanny and mysterious. The images contain visual metaphors rife in the contemporary imagination: politicians invoking our future as one that will be infused with darkness or light, the out-of-control spread of a virus, the loss of women’s reproductive rights with the recent Supreme Court decision, as well as climate change and chaos caused by human’s interference with nature. Simultaneously, these works offer respite, wonder, and hope in the regenerative force of nature and the miracle of human imagination. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/392d6230-979e-44a2-ab8c-358f07e7ace1/a.jpg Peter Shellenberger Peter Shellenberger QUEEN ANNE’S LACE I 2020 analog film/digital print I use a nineteenth-century, 8x10 camera to investigate the twenty-first century world. The camera, in all its large-scale boxiness, it’s accordion-shaped bellows, and dramatic top-heavy placement on a sturdy tripod, is often the main attraction. It makes sense. Much drama has been made of a photographer slipping beneath the mysterious black cloth attached to the machine, the sound of a click heard in concert with the pop of a flash bulb. But the key to an old camera is its lens. Lenses were handmade, each one as unique as a fingerprint. Photographers learned the nuanced differences of their lenses, switching them in and out according to the effects they sought in the final prints. My favorite is a 1903 uncoated Bausch and Lomb lens made in Rochester, New York. I work at night, set up the camera, open the aperture, and then, in the distance, set off a powerful flash. This is a minor, but notable, shift to standard practices, when the shutter is open and shut in a matter of seconds. While I make my way to the spot where I set off the flash, the shutter is open, and the film is recording whatever ambient night light reaches it through the lens—the stars, perhaps, or a satellite. After the flash, the shutter remains open, still absorbing light, until I return and close it. In photographic terms, these works are described as being made with a long exposure. This work also involves finding thick, flourishing patches of Queen Anne’s Lace in the late summer. Many folks consider the plant a weed—it’s a prolific self-seeder—while others cultivate them in their gardens or use them medicinally. It is thought that the ingestion of seeds from Queen Anne’s Lace functions as contraception. The resulting prints transform this familiar plant into one that is uncanny and mysterious. The images contain visual metaphors rife in the contemporary imagination: politicians invoking our future as one that will be infused with darkness or light, the out-of-control spread of a virus, the loss of women’s reproductive rights with the recent Supreme Court decision, as well as climate change and chaos caused by human’s interference with nature. Simultaneously, these works offer respite, wonder, and hope in the regenerative force of nature and the miracle of human imagination. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/c58dcd5c-ed09-4bb5-9801-a2a46eae9fde/d.jpg Peter Shellenberger Peter Shellenberger FIREFLIES analog film/digital print When asked if I use a camera to make my firefly photographs, the short answer is yes. However, the nineteenth camera functions simply as a box, a container. The shutter, aperture, lens are do not play a role. The one function I do utilize is the film back, designed to hold 8x10” sheets of unexposed film. The large camera is roomy enough for 3-4 fireflies to spend the night. Lanterns flashing, they expose the film, resulting in random luminescent patterns. After a night in the camera, they are released the next morning. Look closely, and you can see a firefly leg, wing, or head in the photographs. Each year, when the insects show up in the yard in July, I make 3-4 firefly prints. A couple of unique photographs combines two organic energies: a fireflies’ bioluminescence and uranium’s radioactivity. The red-orange glaze made for Fiesta Ware in the 1930s and 40s contains uranium oxide. After about two years experimenting, I discovered the radiation in the orange glaze was strong enough to expose film, resulting in glowing purple “nuclear” autoradiographs. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/138a062f-b8d8-472f-8944-fad33ed7addf/c.jpg Peter Shellenberger Peter Shellenberger FIREFLIES analog film/digital print When asked if I use a camera to make my firefly photographs, the short answer is yes. However, the nineteenth camera functions simply as a box, a container. The shutter, aperture, lens are do not play a role. The one function I do utilize is the film back, designed to hold 8x10” sheets of unexposed film. The large camera is roomy enough for 3-4 fireflies to spend the night. Lanterns flashing, they expose the film, resulting in random luminescent patterns. After a night in the camera, they are released the next morning. Look closely, and you can see a firefly leg, wing, or head in the photographs. Each year, when the insects show up in the yard in July, I make 3-4 firefly prints. A couple of unique photographs combines two organic energies: a fireflies’ bioluminescence and uranium’s radioactivity. The red-orange glaze made for Fiesta Ware in the 1930s and 40s contains uranium oxide. After about two years experimenting, I discovered the radiation in the orange glaze was strong enough to expose film, resulting in glowing purple “nuclear” autoradiographs. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b8dd13a3-ff8b-46ea-8551-aa2dca32af89/a.jpg Peter Shellenberger Peter Shellenberger FIREFLIES analog film/digital print When asked if I use a camera to make my firefly photographs, the short answer is yes. However, the nineteenth camera functions simply as a box, a container. The shutter, aperture, lens are do not play a role. The one function I do utilize is the film back, designed to hold 8x10” sheets of unexposed film. The large camera is roomy enough for 3-4 fireflies to spend the night. Lanterns flashing, they expose the film, resulting in random luminescent patterns. After a night in the camera, they are released the next morning. Look closely, and you can see a firefly leg, wing, or head in the photographs. Each year, when the insects show up in the yard in July, I make 3-4 firefly prints. A couple of unique photographs combines two organic energies: a fireflies’ bioluminescence and uranium’s radioactivity. The red-orange glaze made for Fiesta Ware in the 1930s and 40s contains uranium oxide. After about two years experimenting, I discovered the radiation in the orange glaze was strong enough to expose film, resulting in glowing purple “nuclear” autoradiographs. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/bc12f6d6-efc1-4439-88d2-c6b9e9659fa0/acrobats.jpg Peter Shellenberger Peter Shellenberger ACROBATS 2022 Autoradiograph The red-orange glaze made for Fiesta Ware in the 1930s and 1940s contains uranium oxide, the same uranium used to make the atomic bomb. In fact, the Fiesta Ware company’s supply of uranium was confiscated by the U.S. government to make the first atomic bombs. After about two years experimenting, I discovered that the uranium in the orange glaze remains radioactive in the dinnerware and that I can use this radioactivity to create glowing purple “nuclear” autoradiographs. (It remains unclear why the prints result in the color purple.) I featured Cracker Jack toys—the same vintage as the radioactive Fiesta ware—in my first autoradiographs. Recently I used computer chips from Atari video games (circa 1978-1980's), the prints titled with the names of the old games. The radiation functions like an x-ray, revealing the physical make-up of the chips’ intricate interiors. I am drawing parallels in this series between radiation and computer technology, two invisible powers that were unleashed, with little knowledge of their potential to significantly transform our world. Influenced, in part, by Chris Marker's film La Jetée, my work metaphorically channels messages sent from the future to the past, to speak to human experience now. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8d09ff4b-5a67-4b4c-bccd-2752ee550b83/rollerskater.jpg Peter Shellenberger Peter Shellenberger ROLLER SKATER 2012 Autoradiograph The red-orange glaze made for Fiesta Ware in the 1930s and 1940s contains uranium oxide, the same uranium used to make the atomic bomb. In fact, the Fiesta Ware company’s supply of uranium was confiscated by the U.S. government to make the first atomic bombs. After about two years experimenting, I discovered that the uranium in the orange glaze remains radioactive in the dinnerware and that I can use this radioactivity to create glowing purple “nuclear” autoradiographs. (It remains unclear why the prints result in the color purple.) I featured Cracker Jack toys—the same vintage as the radioactive Fiesta ware—in my first autoradiographs. Recently I used computer chips from Atari video games (circa 1978-1980's), the prints titled with the names of the old games. The radiation functions like an x-ray, revealing the physical make-up of the chips’ intricate interiors. I am drawing parallels in this series between radiation and computer technology, two invisible powers that were unleashed, with little knowledge of their potential to significantly transform our world. Influenced, in part, by Chris Marker's film La Jetée, my work metaphorically channels messages sent from the future to the past, to speak to human experience now. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b5883e28-71f9-4b65-b4a0-c9c8f3eebd05/i+want+my+mommy.jpg Peter Shellenberger Peter Shellenberger ATARI 2024 I Want my Money Autoradiographs The red-orange glaze made for Fiesta Ware in the 1930s and 1940s contains uranium oxide, the same uranium used to make the atomic bomb. In fact, the Fiesta Ware company’s supply of uranium was confiscated by the U.S. government to make the first atomic bombs. After about two years experimenting, I discovered that the uranium in the orange glaze remains radioactive in the dinnerware and that I can use this radioactivity to create glowing purple “nuclear” autoradiographs. (It remains unclear why the prints result in the color purple.) I featured Cracker Jack toys—the same vintage as the radioactive Fiesta ware—in my first autoradiographs. Recently I used computer chips from Atari video games (circa 1978-1980's), the prints titled with the names of the old games. The radiation functions like an x-ray, revealing the physical make-up of the chips’ intricate interiors. I am drawing parallels in this series between radiation and computer technology, two invisible powers that were unleashed, with little knowledge of their potential to significantly transform our world. Influenced, in part, by Chris Marker's film La Jetée, my work metaphorically channels messages sent from the future to the past, to speak to human experience now. https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/63cde51b-cf50-47db-a13b-506ea7f8de73/name+this+game.jpg Peter Shellenberger Peter Shellenberger ATARI 2024 Name This Game Autoradiographs The red-orange glaze made for Fiesta Ware in the 1930s and 1940s contains uranium oxide, the same uranium used to make the atomic bomb. In fact, the Fiesta Ware company’s supply of uranium was confiscated by the U.S. government to make the first atomic bombs. After about two years experimenting, I discovered that the uranium in the orange glaze remains radioactive in the dinnerware and that I can use this radioactivity to create glowing purple “nuclear” autoradiographs. (It remains unclear why the prints result in the color purple.) I featured Cracker Jack toys—the same vintage as the radioactive Fiesta ware—in my first autoradiographs. Recently I used computer chips from Atari video games (circa 1978-1980's), the prints titled with the names of the old games. The radiation functions like an x-ray, revealing the physical make-up of the chips’ intricate interiors. I am drawing parallels in this series between radiation and computer technology, two invisible powers that were unleashed, with little knowledge of their potential to significantly transform our world. Influenced, in part, by Chris Marker's film La Jetée, my work metaphorically channels messages sent from the future to the past, to speak to human experience now. https://www.zerostation.com/anna-hepler daily 0.75 2024-02-20 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647463995059-GOJCIIN2DAS5T1E5OKZH/Anna%2BHepler%2B%2BPlatonic.jpg Anna Hepler Anna Hepler Edition of 3, Drypoint on Hannamule 13.25 x 15.25" Platonic 2016 $400 unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647464148295-SYODCE64L62DANYAEMQY/Anna%252BHepler%252BCurl.jpg Anna Hepler Anna Hepler Edition of 3, Drypoint on Hannamule 10.5 x 9" Curl, 2016 $200 - one available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8cb36a0a-4de4-4093-af18-ddaad0bc8245/Anna+Hepler+Leaf.jpg Anna Hepler Anna Hepler Edition of 3, Drypoint on Hannamule 10.5 x 9" Leaf, 2016 $200 unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/eb6660c2-7e7a-482c-b65a-47abc4266064/Anna+Hepler+Remnant+2.jpg Anna Hepler Anna Hepler Edition of 3, Drypoint on Hannamule 13.25 x 15.25" Remnant 2 2016 sold https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1685642046682-S37QI6DPSZ0ICZNQ6TM8/Hold%2BFast.jpg Anna Hepler Holdfast, 2021 lithograph on white paper 31.25" x 23.75", numbered edition (two available) unframed $500 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8de618dd-f372-4bd5-a231-2dad8b3ba3ad/2019.Cardboard.sketch.2.B.jpg Anna Hepler Anna Hepler, Palm, 2019, pressure-print on paper edition of 5, 8.5" x 10” one available $650. framed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1eb27f12-ce26-4156-86bd-4b62a5955e82/Montello+5.png Anna Hepler Montello 5, 2021, woodcut on kozo, approx 15" x 18" framed, $600 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/2ba732ac-dcd4-4603-9d69-c93dd85a5f12/Montello+6.png Anna Hepler Montello 6, 2021, woodcut on kozo, approx 15" x 18" framed, $600 https://www.zerostation.com/mary-hart daily 0.75 2024-04-17 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/5ee0f292-f95b-409d-a467-54ee0a9573a9/Mary+Hart+2+2024+Floating.jpeg Mary Hart https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/c636216c-2aa5-4b1f-bae1-e39594c099ac/Mary+Hart+1+2024+Floating.jpeg Mary Hart https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1727278775155-MBD4XEXDSYFV12P4J6IO/Mary%2BHart%2B1%2B2024%2BFloating.jpg Mary Hart https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4d177337-6eec-42b1-bb45-431715888156/Thorns+and+Stain.JPG Mary Hart https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/bf0b4294-4abc-4789-b049-468b2419fcb1/Dragonfly+and+Stain.JPG Mary Hart https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ce73a5a3-354a-45ba-bd25-ef062070c164/Bones+and+Stain.JPG Mary Hart https://www.zerostation.com/andrea-sulzer daily 0.75 2024-02-20 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/cd456961-669d-46c7-9a10-51445f0752d3/%23%23%23%23A.+Sulzer.jpeg Andrea Sulzer Andrea Sulzer Hedge Series #62 graphite on paper 12 x 9" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647374867545-H4K2Q5CP50TGW0SR1N0V/%2523A.%2BSulzer.jpg Andrea Sulzer Andrea Sulzer Hedge Series #67 graphite on paper 12 x 9" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/eb7deaeb-ff10-4fea-9ff1-9dfaa75a1c45/%23%23%23%23%23A.+Sulzer.jpeg Andrea Sulzer Andrea Sulzer Hedge Series #33 graphite on paper 12 x 9" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647374927098-C0SPHJY825DVLORY92ZJ/A.%252BSulzer%252B%252523.jpg Andrea Sulzer Andrea Sulzer Hedge Series #16 graphite on paper 12 x 9" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647374975405-L2NRWQVHJ5E5W67MHPQU/A.%2BSulzer%2B%2523%2523.jpg Andrea Sulzer Andrea Sulzer Hedge Series #13 graphite on paper 12 x 9" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647375020576-X75UBOPW8D9YWNH1XGMS/A.%2BSulzer%2B%2523%2523%2523%2523.jpg Andrea Sulzer Andrea Sulzer Hedge Series #32 graphite on paper 12 x 9" sold https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647374471126-XJ7JZJYE0IQO1HEUZKAJ/A.%2BSulzer%2B%2523%2523%2523jpeg.jpg Andrea Sulzer Andrea Sulzer Hedge Series #18 graphite on paper 12 x 9" https://www.zerostation.com/about daily 0.75 2025-03-07 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4fda9098-9f70-417e-a0f4-be6e8fdf9b64/j.e.+%26+Keith.jpg https://www.zerostation.com/mitchell-rasor daily 0.75 2024-04-02 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689708986906-04C4IX4VBMVMI1YT85S0/IMG_9483.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/0df6eb4e-58a0-4edc-9e29-a2ec285b13fb/MRasor-zs+05.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709001662-5JC46FXYY7PZGODIWIEI/IMG_9482.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9e20855a-26ec-45e5-acc6-38cd45d35ee7/MRasor-zs+02.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/84833893-654a-4fc1-bb72-bb5a964d3521/MRasor-zs+04.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/2bc4afc2-d577-4ef2-9409-faed42989b22/MRasor-zs+03.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/703d27eb-b9cc-4e3f-a925-e5ff011357b4/MRasor-+zs+01.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/aa456c78-2d70-40fc-bee8-4ac41d864147/MRasor-zs+14.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709087265-B8YM4SSBXLY40NWJSENL/MRasor-zs%2B13.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709237914-CPD3EIHTMERCB5ONRE80/MRasor-zs%252B06.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4db07a57-6de0-4eed-81ab-9d1c4dffd84b/MRasor-zs+12.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689708978761-AZHZ0QGOO3HSCFJ0XM64/MRasor-zs%2B11.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709275396-31FPODGWVNV0YYIK6G5K/MRasor-zs%2B07.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/0a805ab2-d741-4a21-a2c7-db6369bb93a6/MRasor-zs+08.jpeg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709303818-FYUN7FDWBJ404F9J7DDA/MRasor-zs%2B09.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1689709321324-0IDB7YAB7N7IXYMB5BDT/MRasor-zs%2B10.jpg Mitchell Rasor Mitchell Rasor, Untitled, 2022, Watercolor 9 x 12 inches, $450 unframed custom framing, milled in house, available https://www.zerostation.com/exhibition-archive daily 0.75 2025-12-23 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d2b63a98-1f21-432e-94ab-23b34f2c3749/postcards+%281%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/94b96d60-435f-4d85-9c56-120d1865fa57/postcards.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/38717065-96bb-4abb-a440-64005863ba35/postcards+%282%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4056c1f5-6cba-4af7-ac2f-8ccf5a784260/postcards+%283%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/7c2a3b2c-12be-40dc-8b1f-0ba379e40c95/postcards+%284%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/90e9893d-ba15-4ff6-8255-765fc8401840/postcards+%285%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/62d1fee9-fff6-486c-a0df-a6088c487484/postcards+%286%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/6d61a8b1-51ac-4117-ace2-6525244f72a2/postcards+%287%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8bd34a52-2380-47fd-ae01-cfa3378e9d99/postcards+%288%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9b65668d-e368-4930-9990-5f83d9b57672/postcards+%289%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/20eb8e01-6629-4c69-ba9d-b01ae3647339/postcards+%2810%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/84b846c8-c1db-4170-8d91-b8f9b98b77a3/postcards+%2811%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8ac77900-700d-459e-a099-b10df3d1bb18/postcards+%2812%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ee03048d-1c1c-47b2-8030-e5cb196a170c/postcards+%2813%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/08279945-25e4-4fa0-ac07-4f39b422f95c/postcards+%2814%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b3ac5f10-bf01-4064-871e-4d9926d63cc0/postcards+%2815%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8e65d3dd-3266-42c0-ac7b-47f055be29f7/postcards+%2816%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/51b573ee-1e9d-43a2-8f93-d866b47312b9/postcards+%2817%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/24d4272d-baed-45b0-b90a-5d166c5cb02c/postcards+%2818%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/90dfce79-d4ab-4a35-b8f1-189e40522cb8/postcards+%2819%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/0079f53d-e0b2-42b3-a5b9-0e01ac25ed75/postcards+%2820%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/2270396c-5c92-48a7-9aca-3ccdeca943c7/postcards+%2821%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/43387ccc-98bc-4759-8f07-f070e31b393d/postcards+%2822%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4c8b5328-35f1-4af0-9bd4-8451df08c0e5/postcards+%2823%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ffaa368f-10b2-4bcb-ac3a-86c39e3cd90a/postcards+%2824%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b4a24277-4aa3-4245-a903-8e8a87935dfd/postcards+%2825%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9ec4dfbe-afbb-4319-a670-a3029b6dc6e3/postcards+%2826%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b96d36f2-938b-43d7-abce-8bfed78a0805/postcards+%2827%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4082ea23-c302-47e7-b758-71600f22b21f/postcards+%2828%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/99707326-a732-4c45-8bb4-28116f85a435/postcards+%2829%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/71016750-7272-47c2-963c-c5cadc661de8/postcards+%2830%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9167a9aa-4885-4b12-a8ad-45d8adc5b5d1/postcards+%2831%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/53ee3e9c-b22a-4179-9f52-561b04ad1914/postcards+%2832%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/dd6d5ef6-7df7-4fc2-a692-35e651b7e5fc/postcards+%2833%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/cad78c1c-d777-49d4-9405-dffab5d9031e/postcards+%2834%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/88a18699-4a4d-4e2f-8a93-36ed4aa6ca21/postcards+%2835%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d5ba1209-4a0c-4de2-87aa-ef6706a7d6e6/postcards+%2837%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/34ed20cc-ef53-4d6d-897c-2515c8ac13a7/postcards+%2836%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3fb160d4-1538-4321-a7f8-1f5d8266fa49/postcards+%2838%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/38bc140b-1b04-43c8-a766-fddb83f89c6d/postcards+%2839%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3f683a44-8f35-42f0-8b9b-ad4ee7233f2b/postcards+%2840%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8db117dc-28bc-4676-b61b-3f2d6eb6303c/postcards+%2841%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/5d189f73-c3b3-476b-986a-e502439ccf8c/postcards+%2842%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d3dd793d-0d26-4bf2-bb24-d54c2595683f/postcards+%2843%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d4d19a97-6d89-4521-bf84-b8da12d18f12/postcards+%2844%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3b4a6e45-0860-426f-bb8f-ac7360fba0a6/postcards+%2845%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/a65db51d-7404-47a6-b9c5-a2fb53924362/postcards+%2846%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/fc8c543e-dc84-42ba-98a6-95bc2db28e23/postcards+%2847%29.jpg Exhibition archive https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/72e3d6e6-c6b4-4183-8ea5-fd93b3c499a4/postcards+%2848%29.jpg Exhibition archive https://www.zerostation.com/margaret-nomentana daily 0.75 2024-02-20 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b4b3a65d-710f-4ed2-abab-a14d434dc76d/IMG_8925.jpeg Margaret Nomentana Margaret Nomentana untitled, 2022 collaged acrylic paint unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4cd0dc27-25ed-4a87-986c-fc27cafbaf9c/IMG_8926.jpeg Margaret Nomentana Margaret Nomentana untitled, 2022 collaged acrylic paint unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8bd6c7c1-6781-48b9-a6be-a4b9ab7a088d/IMG_8945.jpeg Margaret Nomentana Margaret Nomentana untitled, 2016 collaged acrylic paint unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/a3a16780-60b6-4af1-82fe-ca0ce78b85ae/IMG_8947.jpeg Margaret Nomentana Margaret Nomentana untitled, 2016 collaged acrylic paint unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/bb7c70ab-06b8-4277-a776-ffeafad3d250/IMG_8948.jpeg Margaret Nomentana Margaret Nomentana untitled collaged acrylic paint unframed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/a29477ea-9b72-4c22-8b0d-eef40c15f7d2/IMG_8935.jpeg Margaret Nomentana Margaret Nomentana untitled, 2020 collaged acrylic paint unframed https://www.zerostation.com/press daily 0.75 2026-01-23 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/7a195c7a-d715-4aee-8b13-a8c2294e17f4/floating+worlds.jpg Press https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/141bcbbf-3ad3-4c47-b9e1-76355e637559/Screenshot+2024-04-16+at+3.20.01%E2%80%AFPM.png https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/e1bd3ded-734f-4482-b769-0833d5baddda/Screenshot+2024-03-25+at+7.11.25%E2%80%AFPM.png https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3eeaa761-15d3-43d1-97bd-e1be15ab8ab6/Shadow+7517_Jennifer+Brou.jpeg https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d6e10682-26d4-4875-9043-be8a2d73b94b/Unknown-rotated.jpg https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/62e58ad2-4bd1-463d-a47c-140de0761656/Screenshot+2024-04-01+at+2.41.53%E2%80%AFPM.png https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/2ddc8155-51ae-43fb-ac41-cf5768fe8860/60fd8a5c0cb8155d05150452494da5d0.jpg https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/a2a40cf5-900f-4dc1-82d2-831813c9c5c0/13148342_20191212_Zero_6.jpeg https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/7e149472-6ab3-4a8b-8275-c04477f841fc/unnamed-1.jpg https://www.zerostation.com/gracedegennaro-1-1 daily 0.75 2024-08-02 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/14b0c329-aaff-4f52-99de-fe73d765db08/1747697_DeGennaroGrace-Fire-Ruby-Lake-2018-oilonlinen-26x1.jpg New Artist Page Template (4/2024) (Copy) Fire (Ruby Lake) 2018 oil and cold wax on linen 26 x 16" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b46ebd85-3990-46da-831c-698db06bb9d2/1747704_DeGennaroGrace-Earth-Warm-Grey-2018-oilonlinen-26x.jpg New Artist Page Template (4/2024) (Copy) Earth (Warm Grey) 2018 oil and cold wax on linen 26 x 16" https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b7102589-f27e-45fc-a4cd-10b717366024/DeGennaroGrace_Rosette_8_watercoloronSomersetpaper_30x22%2522_2022.jpg New Artist Page Template (4/2024) (Copy) Rosette 8, 2023 watercolor on Somerset paper, 30 x 22 inches framed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b648ef71-32b9-440a-b806-0c0cf3ebd107/DeGennaroGrace_Rosette_4_watercoloronSomersetpaper_30x22%2522_2022.jpg New Artist Page Template (4/2024) (Copy) Rosette 5, 2023 watercolor on black Somerset paper 30 x 22 inches framed https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/715f2cda-f3d0-45e5-bb39-acd9befe6974/DeGennaroGrace_Unfolding+%28Ladder%29_2018_Lithograph_26x16%2522.jpg New Artist Page Template (4/2024) (Copy) Unfolding (Ladder) 2018 lithograph with hand editions (1/1) 26 x 16" SOLD https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3afb1a4f-ee00-4a8d-a0a0-951b65747c61/1747275_DeGennaroGrace-Unfolding-Night-2018-Lithograph-26x.jpg New Artist Page Template (4/2024) (Copy) Unfolding (Night) 2018 lithograph with hand editions (1/1) 26 x 16" SOLD https://www.zerostation.com/lux-mundi daily 0.75 2025-04-11 https://www.zerostation.com/upcoming daily 0.75 2026-03-22 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/3f418816-f5b5-4bec-b2b7-619a91e13bfa/katharsis.jpg https://www.zerostation.com/2026-we-are-moving daily 0.75 2026-03-22 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ed188a46-2973-41ea-bc0d-d3559c366f07/sanctuary.jpg https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/d3ec9d7a-7433-4e10-9864-9f074738ffbf/Zero+Station.jpeg https://www.zerostation.com/work daily 1.0 2026-04-02 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ed188a46-2973-41ea-bc0d-d3559c366f07/sanctuary.jpg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/8e5e10d8-865b-4164-96c7-e6f438dc11ac/IMG_5272.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/4fdd5db3-2d58-4e86-9a87-df345544aa30/Wintering+installation.jpg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9dc310ed-2f1b-4708-b1e3-1a102f562efa/flat+files.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647122624009-HDKXX0WQEEGNSQUWMVMN/effloresence.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/802206b3-f5a3-40a5-8d46-b505103ca44a/IMG_8888.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/b85f4a61-ec5a-47a6-86ba-744725f420be/20th+bday.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/392a5fb8-8e8f-49cd-82ca-c406d65c5fee/poetry+at+ZS+photo+j.e.+paterak.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/544368a0-97c7-4ff7-8bf9-f005fd66fc15/OPENING+for+EXCERPTS.jpg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1dccf876-2ad7-413d-a910-1ba746f5223d/IMG_5849.jpeg Work https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/ae096418-fc11-40bd-ba18-1c6dcf7f7aab/cover+img+copy.jpg Work https://www.zerostation.com/work/25-years monthly 0.5 2025-01-22 https://www.zerostation.com/work/artists monthly 0.5 2026-02-02 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1706794682934-5LSOA1AD40DWLMAJWJU5/Burt_8_SeaandAir.jpg Work - Artists STEPHEN BURT https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/fdd4d2a2-0c59-4862-8378-c6e1281868ea/Mitch+1.jpeg Work - Artists MITCHELL RASOR https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1646251848783-IZ9KEJW2XLFEQ63J33P9/15%2BAndrea%2BSulzer-%2B.jpg Work - Artists ANDREA SULZER https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1727278775155-MBD4XEXDSYFV12P4J6IO/Mary%2BHart%2B1%2B2024%2BFloating.jpg Work - Artists MARY HART https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1770043160465-3P0JD8A51YNKES1Z3HSP/d.jpg Work - Artists PETER SHELLENBERGER https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/eb6660c2-7e7a-482c-b65a-47abc4266064/Anna+Hepler+Remnant+2.jpg Work - Artists ANNA HEPLER https://www.zerostation.com/work/cframingplus monthly 0.5 2025-01-22 https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1645463597998-LZRCJZZT9O3DUG8B1I5M/IMG_2908.jpg Work - Framing + https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/1647136446980-T47C4N6T56RI1D6DKI8Z/printer.jpg Work - Framing + https://images.squarespace-cdn.com/content/v1/620e762f537e4d4a201358c9/9f82a971-5c0c-48fb-bbdf-ebf1df233740/zs_framing.jpg Work - Framing +